El proyecto Pass i flora, se divide en varias partes, la primera, “Mutatio”, obra en co-producción con el compositor Miguel Carrillo Samper , que es el eje central de la serie ya que habla de caos, la semilla y vida, de la mutación casi biológica que se origina en el caos o el azar para …
The “Pass i flora” project is divided into several parts. The first, “Mutatio,” a collaborative work with the composer Miguel Carrillo Samper, is the central axis of the series because it addresses chaos, the seed and life, the nearly biological mutation that begins with chaos or chance to open up new definitions of reality. See …
Sean Kelly, New York is delighted to present Bruma, Ana González’s first solo exhibition in New York. The paintings and tapestries on view in Bruma depict the flora and fauna of González’s native Colombia and represent the ecosystems under threat from industries seeking to exploit them for their natural resources. González’s practice opposes the disappearance …
Sean Kelly, New York se complace de presentar Bruma, la primera exhibición individual de Ana González en Nueva York. Las pinturas y tapices exhibidos en Bruma retratan la flora y fauna de Colombia, tierra natal de González y representan los ecosistemas amenazados por industrias que buscan la explotación de recursos naturales. González en su práctica …
They say the world is changing… but they are not. They are still there, just as they were hundreds or even thousands of years ago. They observe us, undisturbed, perhaps with curiosity, although their gaze is really more of empathy and compassion. And we are there, in awe of a people who come from an …
An homage to the Misak culture of the Cauca Department in Colombia, “These drawings evoke the indigenous thought of the Misak, children of the downpour, children of water. In my conversations with them I have understood that they are the protectors of the paramos, of water, and they look after the mountain and the high-altitude …
In this project (yet to be exhibited), the artist worked for three years with forty Coreguaje indigenous people who had been displaced from a reserve in Caquetá because of violence from illegal armed groups, the recruitment of minors and fights over land for coca crops. The idea was to work with families in Bogotá making …
A collaborative show with artist Luis Fernando Roldán. The project used a game of chance to decide, chaotically but according to certain rules or guidelines, where to plant a tree for each victim of violence in Bogotá in 1997. There were 7,800 victims that year, and 7,800 trees to be planted in Bogotá, according to …
These photos are part of the artist’s photographic archive from her early years in Paris, where she did set design and production for photographers like Mario Testino, Ruvén Afanador and Mads Morgensen for publications from Casa Editorial Rizzoli in Milan and Hachette Filipacchi in Paris. Since 1999, Ana has taken a great interest in the …
Cuando se percibe la naturaleza como una red, su vulnerabilidad salta a la vista. Todo se sostiene junto. Si se tira de un hilo, puede deshacerse el tapiz entero […]. Andrea Wulf, La invención de la naturaleza: el nuevo mundo de Alexander von Humboldt Ver más Por: Ana Cárdenas Regresar