In this series, Ana González evokes the stories told by a nine-year-old girl, the daughter of a family displaced by violence in Juradó, Colombia. The work highlights the tension between the innocence of childhood and awakening to a reality altered by the ravages of war and forced disappearances. See More alicia-ana-gonzalez-1 alicia-ana-gonzalez-2 alicia-ana-gonzalez-5 alicia-ana-gonzalez-6 alicia-ana-gonzalez-7 …
The project “Bordados y Desbordados” (Embroidered and Overboard) is part of a series of works done on forcibly displaced women who have immigrated to the city. The idea is to embroider fine fabrics, cloths and silks from “exclusive” designers with popular, working-class motifs that are part of the collective memory of embroidery. See more The …
On the other hand, I eagerly took advantage of that privilege of childhood which allows beauty, luxury, and happiness to be things that can be eaten: in the rue Vavin I would stand transfixed before the windows of confectioners’ shops, fascinated by the luminous sparkle of candied fruits, the cloudy lustre of jellies, the kaleidoscopic …
Ana González belongs to a generation of enterprising artists who cultivate their trade within the narrow thresholds of aesthetics. Her career, nourished by a very important professional experience, is poised between architecture, photography, publishing and painting. See more Pelota de letras pelota-de-letras-ana-gonzalez-1 pelota-de-letras-ana-gonzalez-2 pelota-de-letras-ana-gonzalez-3 pelota-de-letras-ana-gonzalez-5 pelota-de-letras-ana-gonzalez-7 Back
In the beginning, nothing existed; there was no Earth, no Sun, no Moon. Everything was darkness, everything was water. Water was the mother creator. And when Mother Se created the world, she saw the need for a person of flesh and bone, someone to watch over the land. This is why Mother Se created us, …
Ana González y Ruvén Afanador They say the world is changing… but they are not. They are still there, just as they were hundreds or even thousands of years ago. They observe us, undisturbed, perhaps with curiosity, although their gaze is really more of empathy and compassion. And we are there, in awe of a …
Nature is a temple in which living pillarsSometimes give voice to confused words;Man passes there through forests of symbolsWhich look at him with understanding eyes.“Correspondences”, Charles Baudelaire Trees, flowers, bees, grass, rivers, mountains, clouds, stones… Nature is a great metaphor. A landscape is a projection of human feelings, a cultural construction that can be decoded …
Ana González belongs to a generation of enterprising artists who cultivate their trade within the narrow thresholds of aesthetics. Her career, nourished by a very important professional experience, is poised between architecture, photography, publishing and painting. As contemporary as she is conservative, González distances her art from provocation, denunciation and finger pointing by taking a …
There are only bloody fairy tales, because every fairytale is born from the depths of blood and fear.” Franz Kafka, 1952 In this series, Ana González evokes the stories told by a nine-year-old girl, the daughter of a family displaced by violence in Juradó, Colombia. The work highlights the tension between the innocence of childhood …
In this project, the artist worked with a group of six soldiers wounded in combat by anti-personnel mines and explosives. She held workshops for “memory and reconstruction” in the “Batallón de sanidad” (Health Battalion) and afterwards developed a work based on the images and experiences that the soldiers, now blinded by anti-personnel mines, found they …