In this project, the artist works closely with displaced communities from Chocó who have been living in Bogotá for several years. It compiles many stories from people who have experienced the violence of drug trafficking and have now become invisible in the city, like ghosts. Liberi proposes an exploration by the viewer where he or …
A collaborative audiovisual work with composer Miguel Carrillo Samper, “Mutatio” is the central axis for a series of works by the same name. In Latin, mutatio means change, transformation, mutation, and it refers to the transition from chaos to seed to life, the nearly biological mutation that begins with chaos or chance to open up …
In this series, Ana González evokes the stories told by a nine-year-old girl, the daughter of a family displaced by violence in Juradó, Colombia. The work highlights the tension between the innocence of childhood and awakening to a reality altered by the ravages of war and forced disappearances. See More alicia-ana-gonzalez-1 alicia-ana-gonzalez-2 alicia-ana-gonzalez-5 alicia-ana-gonzalez-6 alicia-ana-gonzalez-7 …
The project “Bordados y Desbordados” (Embroidered and Overboard) is part of a series of works done on forcibly displaced women who have immigrated to the city. The idea is to embroider fine fabrics, cloths and silks from “exclusive” designers with popular, working-class motifs that are part of the collective memory of embroidery. See more The …
On the other hand, I eagerly took advantage of that privilege of childhood which allows beauty, luxury, and happiness to be things that can be eaten: in the rue Vavin I would stand transfixed before the windows of confectioners’ shops, fascinated by the luminous sparkle of candied fruits, the cloudy lustre of jellies, the kaleidoscopic …
Ana González belongs to a generation of enterprising artists who cultivate their trade within the narrow thresholds of aesthetics. Her career, nourished by a very important professional experience, is poised between architecture, photography, publishing and painting. See more Pelota de letras pelota-de-letras-ana-gonzalez-1 pelota-de-letras-ana-gonzalez-2 pelota-de-letras-ana-gonzalez-3 pelota-de-letras-ana-gonzalez-5 pelota-de-letras-ana-gonzalez-7 Back
In the beginning, nothing existed; there was no Earth, no Sun, no Moon. Everything was darkness, everything was water. Water was the mother creator. And when Mother Se created the world, she saw the need for a person of flesh and bone, someone to watch over the land. This is why Mother Se created us, …
In this project, the artist worked with a group of six soldiers wounded in combat by anti-personnel mines and explosives. She held workshops for “memory and reconstruction” in the “Batallón de sanidad” (Health Battalion) and afterwards developed a work based on the images and experiences that the soldiers, now blinded by anti-personnel mines, found they …
The “Pass i flora” project is divided into several parts. The first, “Mutatio,” a collaborative work with the composer Miguel Carrillo Samper, is the central axis of the series because it addresses chaos, the seed and life, the nearly biological mutation that begins with chaos or chance to open up new definitions of reality. See …
Cuando se percibe la naturaleza como una red, su vulnerabilidad salta a la vista. Todo se sostiene junto. Si se tira de un hilo, puede deshacerse el tapiz entero […]. Andrea Wulf, La invención de la naturaleza: el nuevo mundo de Alexander von Humboldt Ver más Por: Ana Cárdenas Regresar